An extract from the piece OMMANIPADMEHUM, created by Stefano Fardelli and a part of the EurAsia Repertory, will be danced by the third year students of the EurAsia Partner Balance1 of Berlin, in Germany.

WHEN:

March 22nd 2024 at 7:00 p.m. local time
Ticket Presale: https://www.reservix.de/tickets-admission-to-dance-2024-in-berlin-uferstudios-studio-14-am-22-3-2024/e2226531

March 23rd 2024 at 7:00 p.m. local time
Ticket Presale: https://www.reservix.de/tickets-admission-to-dance-2024-in-berlin-uferstudios-studio-14-am-23-3-2024/e2226532

Ticket price: 22 €

WHERE:

Ufer Studios, Studio 14

Badstraße 41a, 13357 Berlin or Uferstraße 23, 13357 Berlin, Germany

// MORE INFO: https://www.uferstudios.com/en/home/

ABOUT THE ORIGINAL PIECE:

OM-MANI-PADME-HUM which in Sanskrit literally means “honouring the lotus jewel”, focuses on the history and rituals of the Tibetan Buddhists of the Yellow Hat Order with a particular focus on their connection to the Shaolin monks and thus the study of their training. The idea for this new project stems from the need to continue the exploration and examination of the connection between spirituality and ritual through movement, already begun with the previous solo NAMU: the Sanskrit word namu – or namas – means ‘devotion’.

Throughout the creation period, the dancers of the E.D.C. – EurAsia Dance Company followed the training of the Shaolin monks, studying their meditation and combat techniques. The next step was to translate, through the ‘contemporary code’, their sequences and movements by bringing them into space and making them abstract, thus maintaining their essence but making them functional to the staging. The same process was followed for the creation of the costumes and atmospheres of the piece.

The encounters with the Buddhist monks and the martial arts students, the study of their practice and ceremonies are the foundation of the choreography. When the bell starts to play the rite begins, the dancers enter what could be a temple and lead us in another dimension and place, accompanied by the Francesco Ziello original music.

Hats, cloaks, a sun symbol of the divine, and the gold of temples are often rendered abstract by an aseptic architectural use of space and by string or orchestral music that creates contrasts between oriental images and western sounds.

To conclude, a multicultural cast that translates the movements of the Shaolin monks with different nuances that reveal the origins of the various dancers and thus a quality of movement linked to the traditional dances of the performers that influence, and give character to, the entire piece.

CREDITS:

Choreography: Stefano Fardelli
Dancers: Balance1 third year batch
Original music: Francesco Ziello
Music: 10 Preludes Op. 23 by Serjei Rachmaninoff, Concerto For Violoncello And Strings by Dobrinka Tabakova, The Well-Tempered Clavier Book1 by Johann Sebastian Bach, Such Different Paths by Dobrinka Tabakova

In the photo the E.D.C. – EurAsia Dance Company rehearsing on tour in Kolkata, India.